图片文件尺寸 : 4096 x 2894px
塞缪尔·戴维斯（Samuel Davis）从Cavenpatan Barramah’l（南印度）附近的Pehher河拍摄的Bore Timranze Durgum-Samuel Davis
Boree Timranze Durgum Taken from the Pehher River Near CavenpatanBarramahl (South India)--Samuel Davis (英国, 1757-1819)
下载塞缪尔·戴维斯（Samuel Davis）从Cavenpatan Barramah’l（南印度）附近的Pehher河拍摄的Bore Timranze Durgum大图
图片文件尺寸 : 1900 x 2928px
杰西·威尔科克斯·史密斯（Jessie Willcox Smith）的《狂热者》（Blazing）中，“作为一种特殊特权，狂热者对此感到厌烦”-Jessie Willcox Smith
As a Special Privilege the Zealot Bore it in Blazing--Jessie Willcox Smith (美国, 1863 – 1935)
下载杰西·威尔科克斯·史密斯（Jessie Willcox Smith）的《狂热者》（Blazing）中，“作为一种特殊特权，狂热者对此感到厌烦”大图
图片文件尺寸 : 2930 x 3856px
“骑士把美丽的女孩抱在怀里，抱着她穿过小溪把她的小岛与海岸分开的狭小空间。”-Arthur Rackham
The knight took the beautiful girl in his arms and bore her over the narrow space where the stream had divided her little island from the shore.--Arthur Rackham (英国, 1867-1939)
图片文件像素：5930 x 4411 px
卡拉·阿卡尔迪，当代艺术I-
Carla Accardi * - Zeitgenössische Kunst I-
(Trapani 1924–2014 Rome)
Untitled, 1954, signed and dated; signed and dated again on the reverse, tempera (casein) on paper laid down on canvas, 68 x 32 cm, framed
This work is registered in the Archivio Accardi Sanfilippo, Rome and is accompanied by a photo certificate signed by the artist, Studio Accardi, Rome
Provenance:
Sale Nuova Brerarte, Milan, 11 December 1990, lot 71
European Private Collection (acquired from the above)
Note:
The paper was laid down on canvas directly by the artist as evident also from the signature and the date on the reverse.
Yes, 1954 was a critical year, but my first works featuring the sign, which I made on paper, were born in 1953. The meaning behind this choice, my surrender to the sign, which was basic at first and structural later, no doubt emerged from the idea artists have always had about contemporary art, about culture in their time.
Although I wasn’t studying mathematics or anthropology, Structuralism was a topical discovery all the same, something that exhisted in the Western world.
I bestowed an image on the Structuralist vision of the world; a visual image that bore all the components: events, the aggregation of signs were repeated in my paintings with phenomenic variations: but always faithful to themselves and repeatable.
Carla Accardi interviewed by Vanni Bramanti, in V. Bramanti, Conversazione con Carla Accardi, Rome 1982